In the words of Marcus Bullock, Emeritus Professor of English at University of Wisconsin–Milwaukee, "Remarkable for the way it emerged from a catastrophe, more remarkable for the way it vanished into a still greater catastrophe, the world of Weimar represents modernism in its most vivid manifestation." The culture of the Weimar period was later reprised by 1960s left-wing intellectuals, especially in France. The intellectuals associated with the Institute for Social Research (also known as the Frankfurt School) fled to the United States and reestablished the Institute at the New School for Social Research in New York City. With the rise of Nazism and the ascent to power of Adolf Hitler in 1933, many German intellectuals and cultural figures, both Jewish and non-Jewish, fled Germany for the United States, the United Kingdom, and other parts of the world. Jewish intellectuals and creative professionals were among the prominent figures in many areas of Weimar culture. Nine German citizens were awarded Nobel Prizes during the Weimar Republic, five of whom were Jewish scientists, including two in medicine. Leading Jewish intellectuals on university faculties included physicist Albert Einstein sociologists Karl Mannheim, Erich Fromm, Theodor Adorno, Max Horkheimer, and Herbert Marcuse philosophers Ernst Cassirer and Edmund Husserl political theorists Arthur Rosenberg and Gustav Meyer and many others. German university faculties became universally open to Jewish scholars in 1918. The social environment was chaotic, and politics were passionate. Germany, and Berlin in particular, was fertile ground for intellectuals, artists, and innovators from many fields during the Weimar Republic years. Although not part of the Weimar Republic, some authors also include the German-speaking Austria, and particularly Vienna, as part of Weimar culture. 1920s Berlin was at the hectic center of the Weimar culture. Weimar culture was the emergence of the arts and sciences that happened in Germany during the Weimar Republic, the latter during that part of the interwar period between Germany's defeat in World War I in 1918 and Hitler's rise to power in 1933. This stylistic approach also runs through all of the interior design - in 102 guest rooms, the in-house bar and on the roof terrace, minimalist stylistic elements repeatedly meet lovingly preserved, historical details, making the Hotel Schillerhof the ideal starting point for a charming cultural vacation in Weimar, which is steeped in history.The Europahaus, one of hundreds of cabarets in Weimar Berlin, 1931 The neo-baroque facade, which is a listed building and has been freshly restored, merges seamlessly into a timelessly modern new building with an elaborate roof construction. In the old town's pedestrian zone between Theaterplatz and Schillerstraße, the new boutique hotel in the international "Smart Luxury" category is now welcoming its first guests and is characterized by a concept mix of ultra-modern furnishings and classicist accents.Įven from the outside, the architecture of the building stands out with its hybrid character. A contemporary homage to the 19th century: After a construction phase of around three years, the Hotel Schillerhof has opened its doors in the middle of the classic city of Weimar.
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